Wednesday 23 April 2014

OUGD503 - Responsive - Summative Module Evaluation

OUGD503 - Responsive - Summative Module Evaluation

Looking at the module as a whole, it has definitely been my favourite over the two years I have spent on my degree so far. This is because it felt a lot more ‘real’, by being able to pick and choose our own briefs I was able to direct my work in the way I wanted it to go. It felt like it was the first proper chance I was given to have a go at briefs set by ‘real world’ clients, with their own set of requirements and deadlines, and it was exciting to get an insight into what it would be like working out of education. This also gave me a chance to develop my preferred style of work, and choose a lot of illustrative-based projects which I enjoy the most, keeping my momentum up.
Every module I come across teaches me a new, (usually difficult) lesson about time management but this time it was a little different. For example, if I didn’t make the deadline for something in education, it would mean that I wouldn’t be able to continue on my course without penalties, that would affect my overall grade. However, if I were to miss a deadline on a competition, it would simply mean that I wouldn’t be entered and all of my work would go to waste. Somehow, this lack of pressure coming from the competition organisers (since they wouldn’t care if I entered or not) caused me to discipline myself even more and the pressure of the deadline would come from myself. I see this as a greatly positive thing, as the responsibility of the brief rested completely on my shoulders, otherwise I would get entered or I wouldn’t get paid etc.
The feeling of winning the Silver Starpack award 2014 was really great to see real-world rewards and recognitions of my work outside of education. Seeing my work in the Dialogue exhibition occurring more than once was such a proud moment, definitely leaving me wanting to get involved a lot more in these opportunities, having never having the confidence to do so previously. Again, another positive of working with public competitions.
Real-world pressure didn’t come without it’s negative points, though. The fear of being penalised for not properly checking my work for copyright material left me worried for a long time. Lots of extra research into exactly what I could and couldn’t use on my Disney hoodies designs spent up a lot of my time back in January, almost a whole month since I finished the designs, leaving the ‘clients’ rather annoyed and becoming quite abusive over social media. This gap in time also meant that my design practically ‘lost’ over another submitted design, with only very few of my designs actually being downloaded.
On the flip-side also, was the fear of our work being plagiarised, as our work is displayed and sent over the internet, with my classmate’s work being ‘copied’ by another competition entry. This meant that we had to withhold a lot of our blogging being published and our Behance’s being left not updated before the competition deadlines, which was a fruitful lesson to learn.
This is also the first time ever during a module I have time left over at the end to properly photograph my outcomes in a studio, edit the pictures and create presentable design boards that I don’t have to worry about the spelling on! The retouching of the images really improved my Photoshop skills, and I was able to compose and stitch together many different images that couldn’t have been possible for my design boards. By having much more practice to complete design boards during this module, I have also greatly improved my design skills when working with a grid, which I found alarmingly difficult before.
Being able to choose our own partners for the collaborative practice brief went surprisingly well for us. At first, me and Danielle Harrison didn’t particularly want to work together, as we spend a lot of time together anyway, have worked together in the past, and fancied a change but when we found that many others were already paired up, we stuck together. This last minute decision worked highly to our advantage, as we felt that we were already a lot further ahead in our collaborative relationship than perhaps new partners, and knew our skills, capabilities and time management tactics meaning we could distribute the work according to these factors. I wasn’t entirely sure of our choice of brief at first It would be untrue to say we didn’t argue, but we never fell out over the work, and our friendship meant that we could be harsh critics to each other without causing offense as we both wanted the best for the work! We kept in constant contact since we live together and whenever we were apart we would stay in contact over Facebook whilst sharing what we were working on in our shared folder on Dropbox. We found that communication is key and all decisions were made together, yet still there was the freedom to design as we wished. We both have similar design style interests, which helped a lot, too. We worked really well together and managed to create a project we were both more than happy with, which I am very thankful and proud for.
My communication skills, I have found have been improved greatly by the work in this module. Constant presentations, critiques, emailing with clients and working in collaboration have given me a lot more confidence to say what I feel in a respectable, professional manner. This can be seen in other modules, such as PPP where I now feel confident enough to talk to almost anyone, whether it be on email or over the phone, even!
You can see the development and progression of my work into the strong style I want that I am constantly improving upon. My doing briefs which I have enjoyed working on such as Starpack which combined my love for illustration and packaging, I have wanted and been able to put lots of time and effort into, and remain happy with my results! 
I still feel like I need to work on my time management to keep up with the work that I have created in this module, as this is the first time I feel completely in control of my deadlines, quality of work and presentation of work and I’d like to stay this way!
But overall this module has been such a great learning curve that has taught me lots about self-responsibility. Whether it comes to deadlines, being paid, copyrighting, working with others and communication whilst keeping a good standard of work, it all boils down to me as an individual. 
It’s not about if you have a difficult client, it’s about how you handle the situation and how you make them happy whilst remaining in control of your time. It’s not about getting silver in a competition but how you will get gold next time etc. I am so happy with my work that I have produced and look forward to third year when my work is as self directed as it has been in this module.

OUGD503 - Responsive Project Report

OUGD503 - Responsive - Collaborative - BEAR YCN Design Boards

OUGD503 - Responsive - Yoke Dialogue Exhibition Design Boards

OUGD503 - Responsive - Cast Member Hoodies Design Boards

OUGD503 - Responsive - Stockton Heath Peal Appeal Design Boards

OUGD503 - Responsive - Starpack Student Awards Entry Design Boards

OUGD503 - Responsive - Sun and Moon Vintage Clothing Design Boards

Tuesday 22 April 2014

OUGD503 - Responsive - Verity Taylor Wedding Invitations Design Boards

OUGD503 - Responsive - Starpack Student Awards competition submission design boards

OUGD503 - Responsive - Collaborative Practice - YCN BEAR Alphabites cereal competition submission design boards

OUGD505 - Studio Brief 2 - Critique session 22nd April

OUGD505 - Studio Brief 2 - Critique session 22nd April

I was regrettably very unprepared for today's critique session on our current studio brief, having made little progress in the past few weeks on my work and bringing a few tatty sketches to the session, so I knew I would not be able to get very valuable feedback.

Here are the sketches I brought to the session:




Here are the questions I asked:


  1. Are gold/ silver foils appropriate for the branding of a spa resort if the theme is all natural?
  2. Can you suggest any ways I can have sustainability in my products whilst still keeping them luxurious?
  3. Can you pronounce the chosen name? ( Koryem)


Here are the answers from these questions:

Question 1
"I think that the gold and silver will look swanky"
"If it is upper class, it will be clear. "
"Yes but if the background was black it wouldn't look natural.. How about a green?"
"Yeah the foil would work, could also try using green foil on black or grey- only because green reminds me of natural things"
"Yes but what would your stock colour be? Antique gold foil looks really nice on white stock"
"I love gold, always looks nice in foil. It will add a hint of class to the traditional feel."
"I think that the gold and silver foils are appropriate, depending on the background/ stock colour. If stock is white/ cream then the metallic and light combination will look clean and pure and therefore communicate the all natural element"
"If the foils were applied in limited amounts consistently across your range I think it would be appropriate"

Question 2
"You could use a silverish thread?"
"Could use dissolvable shower gels, refillable containers, recycled materials"
"I don't know a lot about sustianable materials - sorry! Although I do like the idea of a cork lid for the toileteries"
"Re-fillable products, recycled products. Could consider designing the sign that you get on the doors"
"preservative free/ natural ingredients - have a look at the Body Shop"
"Re-fillable, organic etc."
"Eco friendly/ organic products are often more expensive and so could be seen as upmarket anyway, apply some slick branding to ecofriendly products and I believe you'll have the desired effect"

Question 3
Everyone seems to write the word correctly in terms of pronunciation so I think that I feel comfortable going with this name!

Considering how little I brought to the session I was humbled and encouraged by my feedback, I am very grateful for everyone to be so understanding of my lack of preparation! I now need to step up a gear, take on my feedback comments and pull this project properly together!


Wednesday 16 April 2014

OUGD503 - Responsive - Stockton Heath Peal Appeal Development

OUGD503 - Responsive - Stockton Heath Peal Appeal Development

St Thomas' church in my hometown of Stockton Heath is in need of restoration for it's bell tower, as new bells are arriving. The church has only ever had one bell which doesn't ring, instead a recording is played to call people to service, so there is a lot of work needed to be done to strengthen the bell tower. 

I was approached by the vicar to create a banner and logo to represent a fundraising campaign to help this cause, called Stockton Heath Peal Appeal. (as in Peal of the bell)

I was kindly given this line drawing to work with and somehow incorporate it into the design. They stressed that the belltower must be shown so that people know the money is for the belltower and not just the bells themselves:

I began with an image of a church bell and started to illustrate my own over the top.




I decided to use a rich purple, since it's a colour often associated with christianity and it's also the colour that represents the culture of Stockton Heath.


I didn't like this background I had created, and was struggling to incorporate a belltower onto it, so I decided to draw a landscape instead.



So first it was the sky and clouds.




I created the belltower using the line drawing, reference images from Google, and my own personal knowledge of what the tower looks like. It was paramount that I included the extra tall steeple, as it is unique to this church.


I put the tower onto the landscape and started to play around with words.


The final image:


The final image included the logo design I had created for the campaign, too:


The feedback I got was really positive, the only request was to remove the VirginGiving URL as this was a link to be posted to their website itself, but overall a success!



Sunday 13 April 2014

OUGD503 - Responsive - Sun and Moon Vintage Fashion Logo

OUGD503 - Responsive - Sun and Moon Vintage Fashion Logo


I started off by creating the sun/ moon basic shape using the elipses tool.




Here, I am starting to add the details of the moon's eye and the changing of the line thickness


I copied and flipped the eye of the moon for the eye of the sun and added some details. I decided to keep the moon's eye closed to make the differentiation between the two faces easier.


Using the rotate and copy tool, I made the beams for the sun around the edge


I made sure there were different line thicknesses for variation in the beams.



I added text and the logo was finished! I just had to now send it to the client to get their feedback, and a last chance to make any changes that they may request.



Thursday 3 April 2014

OUGD505- Studio Brief 3 - Jack Nicholson Movie Poster

OUGD505- Studio Brief 3 - Jack Nicholson Movie Poster

The task for this studio brief is to create a movie poster about a given film starring Jack Nicholson. I have been given 1963's 'The Terror' as my film. Only 2 colours plus stock must be used to create the poster.

Firstly, I watched the film as research, which can be found here. After I watched the film, I realised that it was very much a 'B Movie' Gothic Horror, a common occurrence in 1960's cinema. Many low budget horror films were created during this time for teenage and young adult audiences spurring the regular movie theatre culture. This film in particular re-used the sets from various other films because of it's particularly low budget!

So I looked into B-Movie Horror posters, inspiring my style of lettering for the movie title. I also looked into movie poster artist Tom Whalen because of his frequent use with a limited colour palette and vector imagery.

Development and final product:

I started off with a quick sketch:



My sketch included the castle from the film as the backdrop and quirky 1960's style lettering as the main feature.

So I began to develop the lettering first and foremost.


Subtle differences such as moving the crossbar in the 'E' down and refining curves in my opinion made the word as a whole stronger.

Experimentations

After looking at the work of Steve Simpson, I was inspired by his heavily rendered vector lettering and thought that this technique would come into good use for this poster.



So I duplicated my lettering, added an outline in white but made sure the line was on the inside of the path.


This left a slightly smaller, trimmed version of the lettering.


I added a gradient to it but wasn't sure how I felt about the result and so continued with the rest of the poster for the time being, before finally deciding that flat colour was most probably suitable for this poster.

Experimentation with sea and castle details


In my drawing, the main feature is the castle looming over with steep perspective, and the rough ocean splashing up the bottom. I began to draw most of the ocean using the charcoal brushes in adobe illustrator.


Even with the text laid over, I felt that the imagery was starting to make the design look a bit dated rather than retro, even with flat text. I was also finding it hard only using 2 colours whilst trying to make the text stand out.

Final Resolution development


After looking at a few more movie posters, in particular a werewolf poster by Tom Whalen, it came to me that the text would stand out best on a white background. In true horror movie context, I chose the moon, meaning I could still use my ready-drawn castle!


In the previous design I felt like the castle and text were competing with each other because of size and colour and so I made the main feature of the poster the text and the castle an added feature.

I added the ocean like in the last poster design but showed the reflection of the moon on the water, too and made waves in a lot simpler style.


At first, I found the text difficult to work with, because I wanted to use more than one font as the one I had chosen only had one weight and was quite short and stumpy and so needed a contrasting style. At first I added a cheesy B-Movie tagline to the top but later decided that it competed too much with the rest of the design and was removed.




I wanted to include the bird from the film but was struggling on where to place it...







The final resolution saw the bird a lot smaller flying over the words. To add to the centrally aligned design, I also added Andre on a horse at the bottom of the design. Although I think red works best, I couldn't choose between these three colours!

The brief was only to be set for 1 week maximum, and I watched and completed the poster in 2 days.